Emilija Å karnulytÄ— (b. Vilnius 1987) is a visual artist and
filmmaker. Existing between the fictive and the documentary, "she
works primarily with deep time, from the cosmic and geologic to the
ecological and political."Å karnulytÄ— holds a BA in sculpture from
the Brera Academy of Fine Arts in Milan, Italy, and an MA from Tromsø
Academy of Contemporary Art. She has exhibited at QSO Lens, CAC
Contemporary Art Centre, Vilnius, in 2015; Extended Phenotypes,
Viafarini, Milan, in 2016; Mirror Matter, Künstlerhaus Bethanien,
Berlin, in 2017; and Manifold, Podium, Oslo, in 2017. Her films have
been screened at the 15th International Venice Architecture Biennale
(2016), SIART Bolivia International Art Biennial (2016), International
Film Festival Rotterdam (Netherlands, 2015), 31st São Paulo Biennial
(2014), Whitechapel Gallery (UK, 2015), Ballroom Marfa (USA, 2015),
Pompidou Film Festival Hors Pistes (France, 2014) and International
Short Film Festival Oberhausen (Germany, 2013) among others. Å
karnulytė was a 2016 artist-in residence at Künstlerhaus Bethanien.
She is also the founder and co-director of the Polar Film Lab (with
Sarah Schipschack) and a member with Tanya Busse of the artist duo,
New Mineral Collective.In discussing her work with Nadim Samman of
Vdrome in December 2018, Å karnulytÄ— said "In my films from the last
ten years, I have mostly researched places where contemporary
political issues are staged between human and non-human worlds, the
shifting boundaries between ecological and cosmic forces. I want to
feel out all kinds of non-human and post-human scales in the depths of
space and time." Throughout her works, Å karnulytÄ— is often concerned
with the "phenomena of neoliberal capitalism so massively distributed
across ecosystems that they redefine the traditional notions of
thing/place". While playful â€" perhaps no more so than when she turns
herself into a mermaid, or “woman-torpedo†, to swim into a
decommissioned NATO submarine base in "Sirenomelia" â€" Å karnulytÄ—'s
short films interrogate the role of people to their new landscapes and
questions of what happens in the coming strata, after those roles have
served their intended purposes.These issues are not always at the
scale of geologic, but are also more personal and poetic. In her work
"Aldona" from 2015, In the spring of 1986, the artist's grandmother,
Aldona, lost her vision and became permanently blind. The nerves in
her eyes were poisoned. Her doctors claimed that it was probably due
to Chernobyl's Nuclear Power Plant explosion. In the film we follow
Aldona through a daily sojourn, to Grutras Park, touching both the
past and the present. Discussing this work on exhibition at the Kadist
in the San Francisco Chronicle, art critic Charles Desmarais wrote,
"Emilija Å karnulytÄ— follows a blind woman through a park populated
by ghostly stone remnants of the Soviet era in Lithuania. The old
woman sees with her hands the silenced heroes who, in life, would have
been far out of reach." Welcome to view Emilija Å karnulytÄ— Phone Number, House Address, Email Id, Contact Address, Whatsapp Number. Below is the information on Emilija Å karnulytÄ— Phone Number, House Address, Email Id, Contact Address, Whatsapp Number. Please do bookmark this page with your friends. Dont forget if you intend to know more on Emilija Å karnulytÄ— Phone Number, House Address, Email Id, Contact Address, Whatsapp Number You can always contact us. As we meetup musicians always. Biography
Looking for the info on Emilija Å karnulytÄ— Phone Number, House Address, Email Id, Contact Address, Whatsapp Number. This bio include everything you have to know. Works on a life path, before he located to a county.
filmmaker. Existing between the fictive and the documentary, "she
works primarily with deep time, from the cosmic and geologic to the
ecological and political."Å karnulytÄ— holds a BA in sculpture from
the Brera Academy of Fine Arts in Milan, Italy, and an MA from Tromsø
Academy of Contemporary Art. She has exhibited at QSO Lens, CAC
Contemporary Art Centre, Vilnius, in 2015; Extended Phenotypes,
Viafarini, Milan, in 2016; Mirror Matter, Künstlerhaus Bethanien,
Berlin, in 2017; and Manifold, Podium, Oslo, in 2017. Her films have
been screened at the 15th International Venice Architecture Biennale
(2016), SIART Bolivia International Art Biennial (2016), International
Film Festival Rotterdam (Netherlands, 2015), 31st São Paulo Biennial
(2014), Whitechapel Gallery (UK, 2015), Ballroom Marfa (USA, 2015),
Pompidou Film Festival Hors Pistes (France, 2014) and International
Short Film Festival Oberhausen (Germany, 2013) among others. Å
karnulytė was a 2016 artist-in residence at Künstlerhaus Bethanien.
She is also the founder and co-director of the Polar Film Lab (with
Sarah Schipschack) and a member with Tanya Busse of the artist duo,
New Mineral Collective.In discussing her work with Nadim Samman of
Vdrome in December 2018, Å karnulytÄ— said "In my films from the last
ten years, I have mostly researched places where contemporary
political issues are staged between human and non-human worlds, the
shifting boundaries between ecological and cosmic forces. I want to
feel out all kinds of non-human and post-human scales in the depths of
space and time." Throughout her works, Å karnulytÄ— is often concerned
with the "phenomena of neoliberal capitalism so massively distributed
across ecosystems that they redefine the traditional notions of
thing/place". While playful â€" perhaps no more so than when she turns
herself into a mermaid, or “woman-torpedo†, to swim into a
decommissioned NATO submarine base in "Sirenomelia" â€" Å karnulytÄ—'s
short films interrogate the role of people to their new landscapes and
questions of what happens in the coming strata, after those roles have
served their intended purposes.These issues are not always at the
scale of geologic, but are also more personal and poetic. In her work
"Aldona" from 2015, In the spring of 1986, the artist's grandmother,
Aldona, lost her vision and became permanently blind. The nerves in
her eyes were poisoned. Her doctors claimed that it was probably due
to Chernobyl's Nuclear Power Plant explosion. In the film we follow
Aldona through a daily sojourn, to Grutras Park, touching both the
past and the present. Discussing this work on exhibition at the Kadist
in the San Francisco Chronicle, art critic Charles Desmarais wrote,
"Emilija Å karnulytÄ— follows a blind woman through a park populated
by ghostly stone remnants of the Soviet era in Lithuania. The old
woman sees with her hands the silenced heroes who, in life, would have
been far out of reach." Welcome to view Emilija Å karnulytÄ— Phone Number, House Address, Email Id, Contact Address, Whatsapp Number. Below is the information on Emilija Å karnulytÄ— Phone Number, House Address, Email Id, Contact Address, Whatsapp Number. Please do bookmark this page with your friends. Dont forget if you intend to know more on Emilija Å karnulytÄ— Phone Number, House Address, Email Id, Contact Address, Whatsapp Number You can always contact us. As we meetup musicians always. Biography
Looking for the info on Emilija Å karnulytÄ— Phone Number, House Address, Email Id, Contact Address, Whatsapp Number. This bio include everything you have to know. Works on a life path, before he located to a county.
Emilija Å karnulytÄ— Phone Number, House Address, Email Id, Contact Address, Whatsapp Number
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